Baking challenge: krautstrudel

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the showstopper challenge for week six (pudding week) of series three: a large strudel.

Krautstrudel

Although this blog is packed with sweet recipes, in my day-to-day life I don’t eat a crazy amount of sugary food, in the name of my waistline and my teeth and my pancreas. Sometimes I get a bit wearied from the steady procession of sweet things made in the name of this (actually very fun) challenge over the years: when there’s a savoury option in sight, I will often take it. So it was exciting to find out that there was more to strudel than the apple or cherry versions found in my local Lidl at Christmas (though there’s nothing wrong with those). So although this was nominally made for ‘pudding week’, this cabbage strudel (don’t click away, it’s delicious!) is actually a hearty main course. The tender cabbage is studded with salty shreds of bacon, and both are wrapped in flaky, buttery, crisp strudel pastry, which retains its toothsome, very slightly chewily crispness for several days without descent into sogginess.

The recipe for krautstrudel comes from Luisa Weiss’ encyclopedic, beautiful labour of love Classic German Baking. It’s a gorgeous and fascinating book – meticulous as you’d want a baking book to be, and both informative in a more scholarly way as well as personal. Weiss is an enthusiastic ambassador for German cuisine, particularly the country’s baking heritage. (Weiss herself is, as she notes, half Italian, half American, although she lived in Germany as a child and now again as an adult; I recognise some of the feeling of her delight with her adopted country’s cuisine and culture, as a Belgian living in Britain. The love of a country which both is and isn’t your own is, for me anyway, as strange – and sometimes melancholy – as it is lovely).

Cabbage strudel slice - close up

I did adapt the recipe slightly: I didn’t have caraway seeds in the house when I was making this, and used a good scraping of nutmeg instead. While the bright aniseed flavour of caraway would be utterly delicious, the warming muskiness of nutmeg works very well too. I think it’s a little more wintery than caraway. While a cabbage strudel does sound like winter food – brassicas are very much considered winter vegetables in Britain – Weiss does write that this kind of thing is eaten in Germany in the summer months when the first fresh, tender new cabbages start to emerge from the field. And it makes sense: a European (and British) summer is a fragile, changeable thing, one day hot and muggy, the next cool and blowsy with rain and high winds and shivering under thin blankets at night.

Strudel filling
The strudel filling – such bright cabbage!
Rolling up the strudel filling
Rolling up the filling, using a tea towel to guide it

My top tip when making strudel dough, if making it for the first time, is not to worry too much about any holes or tearing as you go, and definitely do not do what I did and try and scrunch your stretched-out dough back together to re-stretch. The stretching process makes the dough a little more brittle and dry and it will break apart rather than coming back together into a silky dough. I had to make the dough again from scratch (not actually that hard) – it certainly isn’t reusable once stretched. Even if it tears or holes form, once you roll the strudel up, any patchiness is adequately compensated for by the layers you’re forming. But I do highly recommend making the dough yourself rather than using filo, which many recipes recommend as a substitute. Filo pastry is brittle and shatters with every mouthful, and a strong buttery flavour from being (typically) soaked in the fat before baking; strudel dough is also crisp, buttery and rich, but it has a bit of tenderness and is more pliant and chewy than filo.

Recipe below the jump, as ever.

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Baking challenge: dethroning the Queen of Puddings

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week six (pudding week) of series three: a Queen of Puddings.

Queen of puddings

I like British food. I always feel bad that it has such a poor reputation globally, since the decline of British cooking really comes from the hardship of rationing during – and after, of course – the Second World War, when British cooks had learned to rely on powdered egg, corned beef and old heels of leaden bread to keep themselves and their families fed. Before that, British food was creative, adventurous, and even sustained a good reputation in Europe – it wasn’t all the boiled vegetables of popular imagination. I’ve leafed through plenty of original magazines from the 1910s in the British Library and some of the recipes are surprisingly fresh and modern sounding. Contemporary British cooking, of course, draws on influences from around the world as well as relying on local, seasonal and traditional flavours and techniques.

Mary Berry's Queen of puddings

But for all that I believe British food is irrationally maligned, I don’t like, or even understand, Queen of Puddings (and this ain’t my first time at the Queen of Puddings rodeo). Like many recipes with a long history, it is breadcrumb-based, consisting in this case of a lemony breadcrumb-thickened custard, topped with a river of red jam, topped with a crown of lightly toasted meringue. The end result is gloppy, sticky, and very sweet, and it doesn’t keep well, either, as the meringue starts to droop and weep into the other components if it sits out for a bit. For me, this is no queen, but a mere pretender to the throne – the Perkin Warbeck of British desserts, if you will. On account of its acute sweetness, however, I can imagine children liking this. And if you do like Queen of Puddings, Mary Berry’s recipe (below) is certainly a good and reliable one, producing pretty picture-perfect results.

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Baking challenge: little marmalade and sticky toffee fig steamed puddings

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week six (pudding week) of series three: two different sponge puddings, each served with a different sauce, six of each.

Mini marmalade steamed puddings
Mini marmalade steamed pudding

Running through almost every Belgian I’ve ever known, like a seam of quartz through rock, is an inexplicable Anglophilia – inexplicable because it seems to pulse through Belgians who’ve never visited Britain and have no immediate familial or cultural links to the country. Is it because of Britain’s eventual support for our little country following the 1830 Belgian revolution, when a sentimental song at the opera spurred patriotic (anti-Dutch) riots? Because Britain housed 250,000 Belgian refugees fleeing the German invasion during the First World War? Because Belgians really, really enjoy EastEnders?

Whatever the cause, Belgian Anglophilia is matched by no little bemusement towards British habits. After all, Brits eat stew with mash, rather than the proper accompaniment of frites; they drink pint after pint of weak beer, rather than a modest glass of 8% ABV; and when they do eat chips, they fry them to a crisp toasty brown and sprinkle them with malt vinegar to add insult to injury. But most bemusing of all is…the pudding.

“In Britain,” my grandmother declared one day, “They call everything PUDDING.” As I digested this statement, she leaned forward and added, “Here, the only thing WE call pudding is…PUDDING.”

Figgy sticky toffee pudding
Figgy sticky toffee pudding

You see, like in North America, ‘pudding’ in Dutch (same word, though it sounds slightly different) typically refers to custard (or sometimes jelly)-based soft desserts (like Angel Delight or those Alpro Soya long-life custards), whereas in Britain, of course ‘pudding’ usually means simply a dessert course. This terminology is, for some reason, endlessly amusing. (Notwithstanding this general bemusement, one of the most masterly books on the market about British puddings was in fact written by a Belgian).

For my twelve steamed puddings, I chose to make a marmalade pudding – mostly, admittedly, for the very smug-sounding reason of having an excess of homemade marmalade on my shelves after preserving fever hit me. I adapted a recipe from Justin Gellatly for this, adding orange zest for additional freshness and zip, and baking them as mini puddings rather than one large one. It’s served with an alcohol-spiked custard for absolute indulgence. The other recipe is Gizzi Erskine’s, and is a deliciously fig-laden version of classic sticky toffee pudding, accompanied by a lusciously sticky sauce. (Yes, both are pretty wintery, but although it’s high summer for now, British summer evenings can still get pretty cold, you know…).

Recipes are below the jump, as always.

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Baking challenge: Miss American (Pecan Malt) Pie

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the showstopper challenge for week five (pie week) of series three: an American pie.

Four and Twenty Blackbirds pecan pie

There are many types of people in the world, and many ways of sorting through them. One of them is what I think of as ‘the bruschetta test’. Bruschetta is an Italian word, and, in Italian, the ‘ch’ is pronounced as a hard ‘k’ sound: brus-ketta. There are people who know this, and people who don’t; and people who are very relaxed about how to say it and people who deliberately pronounce it, with much pleasure, in the most authentic way possible.

Which is all well and good, if you’re speaking Italian, but if you’re saying ‘pass the bruschetta’ at a dinner party in the English-speaking world, I…do not think it matters at all if you pronounce it ‘broosh-etta’. It’s inevitable that when a word is borrowed from another language that its pronunciation is massaged a little to fit more readily into the borrowing language’s flow and rhythm. I actually find that pronouncing ‘bruschetta’ in the Italian style sounds a little jarring in English. Maybe this relaxedness about ‘mispronunciation’ comes from me being a native Dutch speaker: if there’s one language a native English speaker mangles to distraction, it’s Dutch, with its plethora of guttural, back-of-the-throat sounds, its rolled Rs, and the spattering of French-style inflections.

Chocolate pecan pie

I was thinking about this because there’s a super-snarky comment on the Wikipedia page relating to this episode of GBBO which notes that ‘During the broadcast, Ryan’s pie was identified as a key lime pie. However, it was made with ordinary limes rather than key limes, and thus was not a key lime pie. Moreover, the pies described as American-style were actually tarts. American pies are baked in a smooth, slant sides pie pan, not the fluted tart pans that were used.’

This really is taking pedantry to the next level – in the UK, at least, ‘key lime pie’ now just refers to a particular style of pie: I doubt most people would even know that ‘key’ refers to a particular type of lime grown in the Florida Keys – and even if we do know, getting hold of them is very difficult. It did make me smile, not to mention shake my head, because Brits have had, after all, to accept that they’ve lost the battle on how to pronounce Worcestershire.

The pie I chose to make was a recipe from Brooklyn-based pie shop Four and Twenty Blackbirds: a malted chocolate pecan pie. I love a traditional pecan pie, with its translucent, almost gelatinous filling of brown sugar custard holding cupfuls of pecan pieces, but the Four and Twenty Blackbirds version has depth and gravitas, anchored by the addition of deep dark chocolate and the sticky, comforting flavour of malt.

Chocolate malt pecan pie

It was a wonderful pie, but I would add that you do need to follow their (meticulous!) instructions on chilling the pie crust. I don’t have a freezer, and my fridge was broken and consequently not very cold when I made this; as a result the pastry started melting before it set in the oven and I had to perform some hasty surgery. Nonetheless, it was absolutely delicious: sticky, chocolatey and much less sweet than a typical pecan pie.

You will need to buy malt extract for this recipe, which I bought ages ago at Holland and Barrett, but I see it a lot in almost all health food shops.

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Baking challenge: hand raised chicken and apricot pie

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week five (pie week) of series three: a hand-raised pie.

Chicken and bacon hand-raised pie

The Great British Pie of picnic fame is not a soupy affair topped with buttery pastry that breaks into flakes and shards: the quintessentially British pastry is of course hot water crust. Hot water crust turns everything you know about pastry on its head: hot fat and water are sloshed into water to make a paste, which is kneaded – kneaded! – until smooth, then used almost immediately lest it dry out and crack. No resting, no turning, no coddling in the fridge. It can be – as Gavroche would say – tough on the teeth, but what the hell. It’s a strong, durable carapace and I find it can hold slightly wetter fillings on account of this without collapsing in the oven.

I was a bit hesitant about making this pie, namely because I don’t love chicken and am actually quite repulsed by meat jellies. However, with equal parts bacon to chicken, the taste of the chicken is not particularly pronounced (even though I only used thigh instead of the mix of breast and thigh as instructed in the recipe). The bacon also makes the pie very salty and for this reason I have omitted the instruction to season the filling with salt: I love salty flavours but, hand on heart, do not feel that this needs more than what is already present in the bacon. It might be different of course if you are buying traditionally cured bacon, which is usually less salty, but mine was just from the supermarket.

Picnic pie

As to the jelly, in experienced hands it might trickle down snugly among the meat and provide an impervious, savoury seal around the meat, but in my case it just trickled down straight through the pastry, seeking out any structural flaws in the pastry (and, as it turned out, there were plenty). There were a few little shivery nuggets of jellified stock here and there, but I could scrape them aside without difficulty.

My reservations about this pie are purely personal: my British boyfriend thought it was utterly delicious and happily took the remainder with him for his lunch. If you are a lover of savoury pies, something sturdy like this – or the pork and quail egg pies which have had a previous outing – would make for excellent picnic food. I do think that British culture really inculcates that love of savoury pies into its people, and it’s hard to bridge that cultural gap if, like me, you missed out on it in childhood.

Hand-raised chicken, bacon and apricot pie

The episode of the Great British Bake-Off in which the pie was hand-raised shows the bakers struggling to shape the pastry around the pie dolly and, guess what, it is hard to do. The video which accompanies the recipe on the BBC site instructs you to set aside the just-made pastry for ten minutes before starting to mould it around the jam jars (you can buy pie dollies, but even for me, queen of kitchen paraphernalia, this was a step too far), though the written recipe gives no such suggestion. I tried several techniques in my attempt to get the damn pastry round the jars – at one point holding the jars upside down and patting the pastry down rather than up, for example. No method was perfect and removing the jars from the pastry was not as easy as the recipe made it sound. Finally, although I used the size of jar directed in the recipe and packed the filling in tightly, there was a scrap too much; maybe reducing the measure of meat to 280g each would do it. It was a ridiculously tiny amount to have left over.

Recipe below the jump.

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Baking challenge: crème caramel

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week four (dessert week) of series three: crème caramel.

Mary Berry's creme caramel

Crème caramel is an old-fashioned dessert, isn’t it, belonging almost to the realms of the (sadly, now) imaginary bistros of Hemingway’s A Moveable Feast, with those heavy leather-lined seats where you are comfortably ignored once delivered of your food (and, of course, alcohol). In a more modern context I can imagine buying a small plastic tub of it from the supermarket, the caramel staining the bottom of the container deep brown, and inverting it at home. But these are acts of the imagination alone: I don’t know if I’ve eaten creme caramel before making it for this baking challenge. It does feel like the kind of gentle, nurturing nursery-type food I should have eaten as a child, however.

Crème caramel is a sister to crème brûlée: both are softly-set, only very lightly sweetened custards, composed of wholesome and nurturing ingredients: whole milk, eggs. But what a difference the outside makes: the crème brûlée is the flirty, dangerous show-off in the family, with her tempting crackled-burnt sugar crust, which has required the application of the naked (ooh la la) flame of the blowtorch (if you’re a cowboy cook who’s not using the grill, anyway) and dares you to crack into it. No one would mistake this dessert for an inhabitant of the nursery. The crème caramel is a bit more homely and dutiful compared to her glamorous sibling.

Creme caramel

You start off by making a caramel, which coats the buttered ramekins, and then a custard which bakes gently in the oven. The cups of custard must then chill completely, to be turned out a la minute. The chilled custard is silky-quivering in its delicacy, lightly drenched in a cloak of caramel syrup which adds some much-needed sweetness and intense depth to this dessert, which would otherwise be simply milky and jiggly and bland. (This contrast is especially, deliciously pronounced if you are brave enough to cook your caramel properly dark). Custard always walks a fine line between homely, nursery food and sensual indulgence. This definitely leans towards the latter – although easy to eat, it’s a dessert that celebrates rich, soft smoothness and contrast of innocently sweet custard and earthy caramel.

Don’t make the mistake I did and forget to immerse your custard-filled ramekins in their hot-water bath. I had to make these twice because I missed this vital instruction first time round. I must have skipped over the line completely because, as I transferred my first batch to the oven, I did think to myself that I would have expected a water bath to coddle the custards. In the absence of the water bath the custard took much longer to cook, surprisingly, but also set quite rubbery and hard, and had large air bubbles running through, which ruined the silky texture. A few were edible but most were relatively grim eating and were given to the worms via our compost box. This mishap aside, it was fairly easy to pull together and the desserts were exceptionally satisfying to turn out – they came out easily after a bit of coaking with a palette knife (just be careful not to angle the knife in such a way that you cut into the set custard).

Recipe below the break as always.

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Baking challenge: strawberry almond cake cream torte

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week four (dessert week) of series three: a three-layer torte cake.

Strawberry mousse cream cake

Cream-based desserts always have my heart – notwithstanding the danger all this dairy fat doubtless poses to said heart. A trickle of liquid cream or dollop of the airily whipped variety – or even, dare I say, a pump of aerosol-whipped foam from a ‘squirty cream’ can – rarely fails to perfect a baked good or even a simple piece of baked or poached fruit.

Anecdote: I once bought a can of squirty cream for a Wimbledon Finals viewing party (yes, very bourgeois) from Tesco (actually, from the Tesco in Wimbledon itself!) and the woman at the cashier rang through my summer-standard purchases – Pimms, strawberries, napkins – without comment. When she came to the can of cream, she picked it up, waggled her eyebrows, and rasped out (Marsha-from-Spaced-style) “Are you going to be having play-time when you get back?” followed by a hearty chuckle. Even if I actually preferred the sugary, airy taste of the canned stuff to the voluptuous purity of hand-whipped double cream, the memory of this moment would be enough to put me off any purchases of aerosol cream for fear of another such encounter.

Strawberry mousse almond cream cake

There is nothing fake or sugary about this cream torte. The almond cake which forms the foundation is somewhat austere on its own: dense but not particularly sweet, and quite dry. The orange liqueur-spiked syrup it’s brushed with adds some flavour and moisture, but the purpose of the cake is to provide a contrast to the extremely creamy strawberry and orange liqueur mousse which fills the middle. With 500ml – half a litre – of double cream providing body to the mousse, the cake needs structure and a little dryness to hold it together and provide a textural contrast to all that soft, voluptuous sweetness.

There are a number of steps, and skills, associated with making this cake (you can see why it was a suitable challenge on Bake Off). There’s the baking of the sponge and the making and setting of the filling, which involves gelatine. (Most of the gelatine you can buy off the shelf in the UK is beef rather than pork gelatine, so bear that in mind if you want to serve this cake – or even just the mousse – to someone with medical or cultural dietary restrictions. I have not tested this with vegetarian gelatine and would suggest following the packet instructions if you want to try this as it works slightly differently). Fortunately both can be done ahead of time. The assembled cake and mousse structure then has to chill for a good amount of time in the fridge – if not, you will have sponges floating on a strawberry-cream slop. Not very appetising, and I can imagine it must have been a struggle for the Bake Off contestants to set a gelatine-based mousse in time. (Incidentally, this cake is a good test of faith, inasmuch as you have to believe that you will pass through the ‘cakes-on-slop’ phase to get to the ‘elegant Mitteleuropa cream torte’ stage when shoving it in the fridge to set).

Almond torte with strawberry mousse

If it really all does seem like too much work for a summer’s day – and with so little of summer left I won’t blame you – do try making just the mousse, which is pure and delicate and delicious – it melts delicately on the tongue and tastes like a child’s memory of strawberries and cream. As a bonus, you won’t need to turn the oven on.

The almond cake I made is an amalgam and extensive adaptation of several recipes I found online; the syrup and mousse are based on a recipe for Erdbeeroberstorte from Rick Rodgers’ magnificent book Kaffeehaus, which is well worth a look at if you love cream-based desserts, which are also so beloved in Central Europe. The instructions given to the bakers was to make a three-layer cake, but this did not require three layers of sponge, simply that the entire piece be composed of three layers – in this case two of sponge and one of mousse; the tortes themselves should not contain any flour. Strictly speaking, also, the instructions in the challenge did suggest that the bakers should not using leavening agents in their cakes – with all the rise coming from well-whipped egg yolks and whites – but as all their torte recipes on the BBC website include baking powder, I took the same liberty of sidestepping this instruction.

Full recipe below the break, as always.

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