Baking challenge: strawberry almond cake cream torte

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week four (dessert week) of series three: a three-layer torte cake.

Strawberry mousse cream cake

Cream-based desserts always have my heart – notwithstanding the danger all this dairy fat doubtless poses to said heart. A trickle of liquid cream or dollop of the airily whipped variety – or even, dare I say, a pump of aerosol-whipped foam from a ‘squirty cream’ can – rarely fails to perfect a baked good or even a simple piece of baked or poached fruit.

Anecdote: I once bought a can of squirty cream for a Wimbledon Finals viewing party (yes, very bourgeois) from Tesco (actually, from the Tesco in Wimbledon itself!) and the woman at the cashier rang through my summer-standard purchases – Pimms, strawberries, napkins – without comment. When she came to the can of cream, she picked it up, waggled her eyebrows, and rasped out (Marsha-from-Spaced-style) “Are you going to be having play-time when you get back?” followed by a hearty chuckle. Even if I actually preferred the sugary, airy taste of the canned stuff to the voluptuous purity of hand-whipped double cream, the memory of this moment would be enough to put me off any purchases of aerosol cream for fear of another such encounter.

Strawberry mousse almond cream cake

There is nothing fake or sugary about this cream torte. The almond cake which forms the foundation is somewhat austere on its own: dense but not particularly sweet, and quite dry. The orange liqueur-spiked syrup it’s brushed with adds some flavour and moisture, but the purpose of the cake is to provide a contrast to the extremely creamy strawberry and orange liqueur mousse which fills the middle. With 500ml – half a litre – of double cream providing body to the mousse, the cake needs structure and a little dryness to hold it together and provide a textural contrast to all that soft, voluptuous sweetness.

There are a number of steps, and skills, associated with making this cake (you can see why it was a suitable challenge on Bake Off). There’s the baking of the sponge and the making and setting of the filling, which involves gelatine. (Most of the gelatine you can buy off the shelf in the UK is beef rather than pork gelatine, so bear that in mind if you want to serve this cake – or even just the mousse – to someone with medical or cultural dietary restrictions. I have not tested this with vegetarian gelatine and would suggest following the packet instructions if you want to try this as it works slightly differently). Fortunately both can be done ahead of time. The assembled cake and mousse structure then has to chill for a good amount of time in the fridge – if not, you will have sponges floating on a strawberry-cream slop. Not very appetising, and I can imagine it must have been a struggle for the Bake Off contestants to set a gelatine-based mousse in time. (Incidentally, this cake is a good test of faith, inasmuch as you have to believe that you will pass through the ‘cakes-on-slop’ phase to get to the ‘elegant Mitteleuropa cream torte’ stage when shoving it in the fridge to set).

Almond torte with strawberry mousse

If it really all does seem like too much work for a summer’s day – and with so little of summer left I won’t blame you – do try making just the mousse, which is pure and delicate and delicious – it melts delicately on the tongue and tastes like a child’s memory of strawberries and cream. As a bonus, you won’t need to turn the oven on.

The almond cake I made is an amalgam and extensive adaptation of several recipes I found online; the syrup and mousse are based on a recipe for Erdbeeroberstorte from Rick Rodgers’ magnificent book Kaffeehaus, which is well worth a look at if you love cream-based desserts, which are also so beloved in Central Europe. The instructions given to the bakers was to make a three-layer cake, but this did not require three layers of sponge, simply that the entire piece be composed of three layers – in this case two of sponge and one of mousse; the tortes themselves should not contain any flour. Strictly speaking, also, the instructions in the challenge did suggest that the bakers should not using leavening agents in their cakes – with all the rise coming from well-whipped egg yolks and whites – but as all their torte recipes on the BBC website include baking powder, I took the same liberty of sidestepping this instruction.

Full recipe below the break, as always.

Continue reading “Baking challenge: strawberry almond cake cream torte”

Advertisements

Baking challenge: dressed-up gooseberry and almond cream tart

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the showstopper challenge for week three (tart week) of series three: a designer fruit tart.

Gooseberry almond tart

Last week, Guardian columnist Simon Jenkins made some waves with an article he wrote sneering at the idea of learning languages in school as a general, rather than specialist, skill, unimportant compared to learning about history, culture, the economy, and even urban planning. As Jenkins and his editors no doubt planned, the social media backlash (and subsequent linking to his article) was robust: the article was decried as ‘stupid’, ‘foolish’ and ‘narrow-minded’. Proponents of language-learning pointed out that learning languages is inherently linked to learning culture; expands our worldview and horizons; develops the intellect; and is, often, still, even in a world in which English is often spoken globally, a very practical skill.

I work with a lot of academic researchers, and I’d like to be one myself one day, and many, many people I know would not be able to do the research they do without speaking one or more languages. The relative dearth of language skills among British scholars in my own discipline of history is considered pretty crippling by some people I know. But in addition to such lofty considerations, learning a language gives us an everyday understanding of the world that adds so much colour and interest. For example, the etymology of the word ‘gooseberry’: in English, one theory for the name of these tart, hairy green summer fruits is that they were served as a sauce with roast goose, and that this marriage was so commonplace, so ordinary, that the link became embedded in language. This theory becomes ever the more tantalising once you know that in French these berries are called ‘groseille à maquereau’ – mackerel berries – because gooseberries have often been served as a tangy, sharp foil to rich, oily mackerel. (I have tried this before – it is delicious and surprising).

Fresh gooseberries

The gooseberry in English cooking – sweet cooking, anyway – is almost always wedded to its seasonal partner, the fragrant elderflower, most often present in cordial form. There’s no harm in this partnership, but once I knew I wanted to make a gooseberry tart, I quickly decided the berry must have the opportunity of a dalliance with other flavourings. I embarked on extensive, slightly panicky research in which I contemplated various states of creamy, custardy fillings. However, I have a very slight aversion to the rich egginess of many custards, while loving the mouth-filling silkiness and delicate vanilla flavour of creme patissiere. I had more or less settled on the final recipe when I got the brainwave to make an almond creme pat – cue more frantic research until Michel Roux’s unparalleled book ‘Pastry’ showed me the way.

Slice of gooseberry almond tart with cream

The stern injunction when announcing this showstopper challenge in series three was that it had to be the kind a top French patissiere would be proud to sell in his (or her) shop. You’d be hard-pressed, I think, to consider my offering a ‘designer’ fruit tart ‘fit for a top quality patisserie display window’. My creation is more of a paragon of elegant simplicity – even possibly leaning towards rusticity – than, say, a rose-scented tart topped with macarons as baked by eventual series three finalist (but not winner) James Morton. And yet – perhaps because I have been reading Elizabeth David recently, and enjoy her terse, bright prose much more than when I was younger – I can’t help but feel that there is something right and true about this tart, with its crisp, not-too-sweet pastry, substantial filling, and generous portion of fruit. It is unpretentious without actually being humbled for it. It cuts cleanly and showcases the bright sharpness of this seasonal fruit – and is absolutely killer with a substantial mountain of cream. But what isn’t?

Continue reading “Baking challenge: dressed-up gooseberry and almond cream tart”

Baking challenge: latticed treacle tart

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week three (tart week) of series three: a lattice-topped treacle tart.

Lattice topped treacle tart

Treacle tart, a classic British dessert, bears some of the strange hallmarks of traditional British baking and cookery. To start with, like many traditional sweets, its unpromising-looking ingredients list is based on breadcrumbs, joining old-fashioned dishes like brown bread ice cream and Queen of Puddings. It’s safe to say that treacle tart eclipses both, however, in the popularity stakes – while the other two may have a sort of ‘retro favourite’ status, to taste them you’ll probably have to make them, whereas treacle tart is accessible commercially: it appears in almost every museum cafe, doubtless selling for £4.50 a flat slice, but it can also be easily purchased in even the smallest of supermarkets.

Secondly, treacle tart is one of the British linguistic oddities which can seriously throw non-native speakers, inasmuch as the titular ingredient – treacle – makes no appearance in the tart. Perhaps the original tarts were made with this coal-black, iron-tasting sweetener (one of those sugar-based products which inexplicably taste like they’re good for you), but it’s long been superseded by very sweet, light-coloured golden syrup, which gives treacle tart its agreeable sunny colour.

 

Mary Berry's lattice topped treacle tart

Mary Berry’s treacle tart is well-balanced: enough breadcrumbs to soak up the syrup and give the dessert some ballast, but not so many that it’s heavy and dry: the filling has a touch of agreeably sticky fluffiness. There’s enough lemon to balance out the aching sweetness of four hundred grams of golden syrup without turning it into a tarte au citron (avec chapelure). The only annoying thing about the recipe is weaving together the lattice top, for which she offers no real method. There are those, like the studiedly-unpretentious Simon Hopkinson, incidentally, who critique the lattice top as unnecessary, but actually a bit of additional plain, unsweetened pastry is no bad thing as a foil against the intensity of the filling.

A tip: Mary Berry would have you spoon your breadcrumb filling straight from the saucepan into your pastry case, to top immediately with the lattice, but of course the heat of the still-warm syrup made the pastry start to ooze. While it wouldn’t be practical to go to the other extreme and let it cool down completely (the golden syrup would solidify around the breadcrumbs and make it impossible to shift), I recommend letting it cool a little before filling the tart case.

I’ve mentioned a few times the unmitigated sweetness of the tart and, in the interests of further balancing this out, I urge to eat your slice drizzled with a good puddle of unsweetened double cream, or a good thick dollop of the clotted stuff.

The recipe and method (including actual steps on making a lattice top) is below the jump.

Continue reading “Baking challenge: latticed treacle tart”

Baking challenge: sweet and spiced pineapple tarte Tatin

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week three (tart week) of series three: tarte Tatin.

Pineapple tarte tartin

I have very fond memories of making my father a classic apple tarte Tatin – at his request – from Linda Collister’s reliable and good The Baking Book when I visited him in Dubai as a teenager. It was a bit of a struggle in some respects – I cooked the apples and caramel in a standard baking tin on the glass stove-top rather than in an ovenproof frying pan, and lacking a scale I had to approximate the amount of butter used in the pastry by eye. The result was more like shortbread than shortcrust, but it was, as you might expect, utterly delicious against the fragrant, caramel apples, and my father very kindly gave me his copy of The Baking Book which so entranced me all of that summer. Linda Collister is still one of my go-to cookery writers and The Baking Book my first port of call when looking for a baking recipe. This book is no longer in print (though you can regularly find used copies via online retailers, and it’s well worth seeking out), but fittingly enough Collister is actually the author behind the Great British Bake-Off branded cookbooks (they do include handfuls of recipes from the contestants and judges, but the majority are Collister’s – and I think she should get more recognition for this than she does).

According to the stipulations of The Great British Bake-Off challenge, the tarte Tatin could be sweet or savoury, but contestants were instructed to use rough-puff pastry. I thought this was quite interesting; most recipes guide the cook towards using store-bought puff pastry, but of course rough puff is not something you can commonly buy. I don’t know how regularly it’s used in professional kitchens: at a party, my friend Juliet’s boyfriend, who is a trained chef (Cordon Bleu, bien sûr), told me they hadn’t been instructed on this pastry. ‘Rough puff’ certainly sounds a bit amateurish, but you can style it out by calling it ‘pâte demi-feuilletée’.

(Another interesting thing about tarte Tatin is that – despite being named for its inventors, the sisters Tatin, it seems perfectly acceptable to write the ‘tatin’ in lowercase).

Pineapple tarte tatin serving

Despite my happy memories of the classic tarte Tatin, I opted to make something a bit different. My first attempt was a pear tarte Tatin, using Collister’s recipe as a guide. Unfortunately it didn’t work with the pears: juicy as they were, I couldn’t cook out sufficient liquid, and the resultant caramel was extremely thin and overwhelmed the somewhat delicate rough puff pastry, resulting in pear-caramel-soaked layers (yes, delicious). I did intend to try it again and perfect the pear Tatin but, as so often happens, I became first distracted and then obsessed by the idea of a chilli-spiced salted caramel pineapple upside-down cake. From there it’s a short walk to a pineapple tarte tatin.

The juiciness of the pineapple pieces is retained even after cooking into caramel sauce and baking, and their intense, tropical sweetness contrasts beautifully with the slightly salted caramel. The idea of adding salt and chilli to the pineapple was inspired by the typically Malay way of eating it with these additions. I grew up in Singapore and there’s truly nothing like eating a pineapple that has ripened in the sun to honeyed perfection, cool from the fridge, sprinkled with salt, sticky juice running down your face and arms and chest, under a humid sky. In Singapore we grew tiny, perfectly round, pink-skinned pineapples in our enormous garden for many years. It seemed so normal. Of course in the UK you can really only get your hands on the large, oval pineapples whose skin is yellow when ripe but is typically sold hard and green, straight off the plane from Costa Rica. They can still be delicious when the craving hits, but they are undeniably a little monotonous in taste and fibrous in texture.

Pineapple tarte tatin slices

A lot of recipes calling for pineapple will used tinned chunks. I used fresh, but I honestly don’t think that it makes a huge amount of difference after cooking. If buying fresh pineapples, you will have to buy them in advance and coax them into ripeness (not to mention the peeling and winkling out of the eyes); if using tinned, ensure you have drained the chunks thoroughly of their juice.

The pastry recipe is a scaled-down version of the recipe from the master of patisserie, Michel Roux Senior, a man whose very rare appearances on television utterly captivate and charm me.

The full recipe is below the jump.

Continue reading “Baking challenge: sweet and spiced pineapple tarte Tatin”

Baking challenge: sweet (strawberry cream) and savoury (caramelised onion and tomato) flavoured bagels

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the showstopper challenge for week two (bread week) of series three: 12 sweet and 12 savoury bagels.

 

Sweet strawberry bagels
Sweet strawberry and cream bagels

It is a truth universally acknowledged that the best time to make bagels for the first time ever is three hours before your guests are due to arrive at your brunch o’clock birthday party. You may have already made Bircher muesli and autumnal loaf cakes (my birthday is in September) and chocolate sheet cake and pumpkin and white chocolate cookies; you may be sizzling bacon in the oven and baking up savoury strata. But after two days’ worth of preparation and as many dishes as there are guests, if you’re anything like me you may still have a nagging feeling that something is somehow missing if you don’t bake up 24 bagels, to your own made-up recipe.

(Funnily enough I was discussing this scenario with a few people who love food and cooking and about halfway through they started nodding in recognition. The urge to over-cater is a strange one, but I feel better knowing that the wish to destroy one’s nerves and kitchen shortly before inviting your dear friends to come in and gape, somewhat aghast, at the filthiness of the kitchen floor, all trodden in flour and dough bits, is not unique to me).

Tomato and onion bagels
Tomato and caramelised onion bagels with sesame topping

Anyway, the aforementioned scenario is why these bagels are not very pretty, and also why I have very few photographs of them. What is undeniable is that they were absolutely the hits of the party: for something thrown together pretty spontaneously, to recipes I was devising off-piste, they came off really well. People devoured them, took them home with them, and remembered them. And that is really gratifying.

For the sweet bagel I made strawberry-cream cheese bagels. The barely sweetened dough (the sugar is to feed the yeast rather than sweeten the dough) is studded with dried strawbs and, after poaching and baking, is slathered with a topping of sweetened cream cheese and topped off with freeze-dried strawberry bits. You could very easily of course make a raspberry version, given that dried and freeze-dried raspberries are as widely available as the strawberry versions thereof. The cream cheese topping gives the sweet fruit an obviously creamy, tangy element, which hearkens to the quintessential British summer cliche: you know, I know, we all know, strawberries and cream, British summer, Wimbledon, blah blah blah. Still good though. The resultant bagels are delicious and, while recognisably sweet, not too sugary, and deliciously rich and sticky from the topping. For a more sober or transportable version, you could leave out the cream cheese topping.

The savoury bagel is tomato and balsamic vinegar caramelised onion, topped with sesame seeds. It’s just about the most inspired brunch bagel flavour ever, to be honest. Goes well with eggs, goes well with bacon, would probably go well with those hideous baked beans British people like to eat fried tomatoes or black pudding. The tomato flavour is a quite subtle layer of savoury sweetness; if you’d prefer it to be more assertive, use a few more tablespoons and use either double-concentrated paste or (even stronger) sundried tomato paste.

Strawberry bagels

To my surprise, the ‘bits’ in each bagel – the dried strawberries in the sweet and caramelised onions in the savoury – adhered well to the dough and stayed put even during the poaching stage. I had thought that the water would be studded with raspberries and onions making a bid for freedom, but in fact not a single piece detached. The density and relative dryness of the bagel dough keeps them lodged firmly in place. I was pleased, particularly for the strawberry bagels, as dried strawberries are not cheap.

Recipes below the jump.

Continue reading “Baking challenge: sweet (strawberry cream) and savoury (caramelised onion and tomato) flavoured bagels”

Baking challenge: eight-strand plaited loaf

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week two (bread week) of series three: an eight-strand plaited loaf.

Baked loaf

Any ordinary cat has nine lives, but not every loaf of bread has eight strands, plaited together to form an impressive-looking bread centrepiece. This was a series three technical challenge for the Great British Bake-Off, and while some of the bakers certianly struggled with it, I thought it was a rare example of a task that looks quite challenging but actually came together fairly easily (which is not the same thing as saying ‘perfectly’).

I don’t want to sound overly blasé about it, but the making of the bread dough for the plaited loaf posed no significant challenges. It’s a very simple, indeed basic, white loaf; made with instant yeast and white bread flour, it puffs up quickly and rapidly becomes springy and elastic to the touch. It’s easy to handle and – compared to the sourdough breads I often make – an easy pleasure to knead and prove.

Eight-strand plait step by step_sm
Plaiting the rolled-out strands is a bit like weaving together an octopus, but as long as you follow the instructions slowly and carefully, and apply even pressure when tucking the strands over and under one another, it works quite well, although I’m sure it’s certainly a skill that improves on practice and is best cultivated outside of the pressures of a time limit. You can see in the images how my plaiting became tighter and more even at the bottom compared to the top. The thing that makes weaving the strands easier is that the number assigned to each strand is dependent on its position and is not carried depending on its moves; that is to say, the first strand in the plait will always be strand number one, even if it started off life as strand number seven.I did go wrong a bit in overproving it on the second rise, which is not an error the Bake-Off contestants usually have time to make; indeed the main criticism is usually that their bread is underproved, which is unsurprising given the time constraints applied to the challenges. However, yoga waits for no woman and I prioritised going to my class rather than coddling the dough to the point of perfection. I came home a bit later than intended and, although a bit too puffy, leading to the strands losing some of their definition and deflating more than desirable in the oven, the overproving wasn’t too destructive of the bread’s actual structure and eating quality; like many white bread recipes, this one is actually quite forgiving.

Braided loaf

The breads judged in the show rasped loudly when cut into (doubtless this owed quite a lot to sound effects), but in my oven the crust remained quite soft, with a slightly leathery, resilient chew. This is pretty typical unless I use the fan setting on the oven. The glorious bronze of the baked loaf – a similar shade to that achieved by 1970s sunbathers on the Cote d’Azur – is achieved by means of a simple egg wash.

Recipe below the jump as always.

Continue reading “Baking challenge: eight-strand plaited loaf”

Baking challenge: a fine fettle of flatbreads

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week two (bread week) of series three: twelve flatbreads; six leavened and six unleavened)

Parathas and green flatbreads_sm

I have not written about my baking challenge in a while.

I have not really been doing much with it for a while. Mostly because baking resulted in a plethora of delicious but high-calorie food which I have been loathe to consume en masse (the exception was Christmas, but there’s so much going on then that there’s always someone to pass on baked goods to). My urges to create in the kitchen have been channelled through the medium of jams and marmalade, which have the virtue of not going stale.

My reluctance to make and then eat so much sugary food is why coming to the bread week challenges in the Bake-Off challenge is such a pleasure. For bread is often savoury, and even when sweetened, the sweetness is usually restrained enough for your loaf to be acceptable for breakfast. This particular signature challenge called for the making of two types of flatbreads, one leavened with yeast and one unleavened: six of each.

Making flatbreads - dividing and shaping
Top left: dividing the dough; top right: rolling each paratha; bottom left: dividing paratha into three joined strips; bottom left: buttering the dough before twisting and braiding

For the unleavened bread, I opted to make parathas, a buttery South Asian flatbread. I was guided, initially, by my friend Mehrunnisa’s guide and recipe on her blog. She uses wholewheat flour, which reflects the kind of parathas she grew up eating; interestingly, she mentions sweet applications, not something I have seen myself. However, I wanted to create the soft, butter-saturated, silky parathas of my childhood in Singapore. Curry and parathas with teh-oh (hot black tea without milk, but sweetened – and heavily at that – with sugar) was an infrequent ritual with my mother. There were numerous places we’d frequent; we actually liked the little hawker in the Botanical Gardens because we could then digest the rich, oily meal with a walk. For this reason I used white flour when making the parathas and used the proportions from Ruby Tandoh’s reliable baking book Crumb – although I used much more butter, more by accident than design at first. I served it with a fish curry, as I might have had in Singapore, although they were redder and richer in gravy, and more likely to be made with fish heads rather than fillets.

Making flatbreads - braiding, coiling, rolling and frying
1st row L-R: preparing to braid; twisting strips; braiding. 2nd row, L-R: coiling; finished coil; set of 6 completed coiled dough rounds. 3rd row, L-R: rolled out paratha; laminated layers; sizzling butter, for cooking

For the yeasted flatbreads, I adapted one of Nigella Lawson’s glorious bread recipes from How to be a Domestic Goddess. Often remembered for its cakes and biscuits, I think the savoury recipes in this book are all too easily overlooked, but they are wonderful. The original recipe is soft and pillowy as foccacia, baked with a warming, mellow topping of roast garlic and a paste of parsley. My version was altogether sprightlier, blending together parsley, coriander, raw garlic and a bit of lemon juice for a fresh, zingy paste. A dash of fresh chilli – green or red – would also not have gone amiss. They do tend to bake to a more muted green but the brightness of the flavour carried.

Unbaked green herb flatbreads
Unbaked flatbreads, daubed with bright green herb paste

Parathas
Recipe adapted from Crumb, by Ruby Tandoh

Note: almost every single step is illustrated in the collage images above.

Parathas and fish curry

  • 250g plain flour, plus extra for dusting
  • 1/4 tsp salt
  • 125g unsalted butter, melted
  • 135ml water
  1. Combine the salt and flour in a mixing bowl; add two TBS of melted butter and rub in to combine thoroughly. Add the water to the flour mixture and knead for a minute or so until well combined.
  2. Set aside to rest for 15 minutes.
  3. Divide the dough into six pieces. Roll each into a ball. Dust a work surface and rolling pin lightly with flour.
  4. One by one, roll each ball out into a disc of about 15-20cm. Using a knife or bench scraper, cut two long incisions into each disc, but do not cut through the top, to leave three strips of dough joined together (see collage image). Using a pastry brush, brush over the surface with melted butter, generously (you will however be using some of the butter to cook the paratha, so don’t worry about using all of it).
  5. Lightly twist each strand of the dough (see images above) and then roughly braid them together. Roll up the braids into a coil, like a snake, and tuck the ends under. Prepare all the parathas this way until ready to fry. You will probably need to lightly dust your work surface and folling pin between batches.
  6. Once ready to cook, take one coiled braid of dough and roll out to 15-20cm diameter circle. Heat up a frying pan over medium-low and coat the pan with a light surface of your remaining butter. Lightly butter one side of your rolled-out paratha then cook in the pan for two minutes, buttered side down; lightly brush the top with butter. Once cooked on one side, flip and cook for an additional two minutes, until lightly speckled with dark brown spots on both sides. If they are darkening too quickly or blackening in any way, turn down the heat; if they are blonde and pale still, turn it up a smidgen.
  7. While cooking the paratha, roll out the next circle. Repeat the cooking steps, adding more butter to the pan as required. Serve with curry; eat immediately

Green herb hearthbreads
Recipe adapted from How to Be a Domestic Goddess, by Nigella Lawson

This makes six quite large flatbreads – big enough for sharing – rather than individually-sized ones, if I’m honest. You could easily halve them, but watch the baking time.

  • 500g strong white flour
  • 7g instant yeast
  • 1 TBS flaky salt
  • 300-400ml water
  • 5 TBS olive oil
  • 3-8 TBS extra-virgin olive oil (if you really don’t want to use extra-virgin, you don’t have to)
  • 1 bunch parsley
  • 1 bunch coriander
  • 10 cloves garlic, or even more if wished
  • Squeeze of lemon juice
  • seasoning for the herb paste
  1. Combine the flour, yeast and salt in a bowl; mix together the five TBS olive oil with 300ml water in a jug and add to the flour mixture to make a firm but not stiff, supple-soft dough. If it is dry at all or very hard and stiff, add a little more water a bit at a time.
  2. Turn out to a lightly oiled surface and knead for ten minutes until the dough is elastic and springy, very soft to the touch, and stretches out without breaking when you pull it. If you want, you can do the windowpane test.
  3. Pat the fully kneaded dough into a ball and clean out your bowl (yes), dry it and lightly oil it. Turn the dough in the bowl so that it’s oiled all over. Cover the bowl with clingfilm and let rise for an hour or a bit more until doubled in size.
  4. For the herb paste, combine the parsley, coriander and peeled garlic in a food processor and add three tablespoons of the extra-virgin olive oil; blitz until all is finely chopped. Add a little salt, pepper and a squeeze of lemon juice, and then process with additional extra-virgin olive oil until it forms a runny paste. If you want chilli heat, add a chilli here too. I used about six tablespoons but you might need more or less depending on how big your bunches of herbs are. Taste the herb paste and if it’s lacking in anything – salt, garlic pungency, peppery heat, acidity – add salt, pepper, garlic or lemon juice to taste. This paste is the heart of the breads so it must taste delicious. Once you can’t stop tasting it, it’s ready to anoint your breads with.
  5. Once the dough has risen, punch it down gently and let rest for 10 minutes. Line two or three baking sheets with baking paper. Divide the rested dough into six equal portions. Roll each portion out into a rough oval or oblong shape. Press them out a little more using your fingers.
  6. Transfer the breads to the baking paper and cover with clingfilm; leave for 25 minutes for the second prove until they are puffy. Meanwhile, preheat the oven to 200C.
  7. Remove the clingfilm from the proved breads and, using your fingers, dimple the surface of the breads. Stir your herb paste together briskly in case any of it has settled, then divide over the flatbreads, smoothing it out evenly over the surface of each using the back of a spoon.
  8. Bake for 15-20 minutes until the breads are cooked: the green paste will have dulled slightly in colour, and the dough will have deepened in colour and be golden and slightly bronzed in places. Remove from the oven, sprinkle over some good flaky salt, and eat, warm and comforting, as soon as cool enough to touch.