Baking challenge: chocolate teacakes

chocolate-marshmallow-cakes.jpg

One of my fonder memories of little school is of our music lessons, which is to say, a few hours a week of banging a glockenspiel or singing. My music teacher for several crucial, formative years was Mrs Bailey – first name unknown – a proudly Scottish woman. If it were revealed to me that she was an ardent, SNP card-carrying nationalist, it would not surprise me in the slightest. Thanks to Mrs Bailey’s dedication, I am familiar with the patriotic music of Scotland and (to a lesser extent) Wales: we sang Loch Lomond and Scotland the Brave and the Skye Boat Song and Men of Harlech in her classes, and I’m fairly sure that my love of British folk music is entirely a result of those happy hours of lusty nationalist singing. I thought this kind of musical inculcation into the culture of Scotland was entirely typical for British schoolchildren, but it turns out almost none of my friends educated in England grew up singing these songs.

Chocolate teacakes

I was reminded sharply of Mrs Bailey and her love of Scottish ballads when I made chocolate teacakes for my baking challenge (bear with me here) because I associate chocolate teacakes very strongly with Scotland, primarily, I assume, because of the Scottish company Tunnock’s, whose red and gold packaging encases teacakes, snowballs (chocolate teacakes with coconut – divine) and, of course, caramel wafers. Indeed, in England, teacakes often refers to fruited, yeasted buns, which are toasted and eaten with butter. Perfectly good, of course, but austere compared to the idea of a biscuit topped with bouncy marshmallow and encased in a crisp shell of chocolate, very slightly bitter and dark to offset the intense sweetness of the white goo within. Scots are often stereotyped as dour and austere, but these national characteristics do not extend to their taste for teacakes.

Teacakes which, as it turns out, were fiddly and somewhat time-consuming but ultimately not that hard to make. Yes, you require a specialist mould to make the teacakes, though given my love of baking kit, this wasn’t particularly off-putting to me (it helps that you need a silicone mould – much easier to store than rigid metal tins). Yes, there are several components: the biscuit, the marshmallow (which happens to be vegetarian, which is exciting news), the chocolate shell. But on their own none of them are hard and you can break up the tasks and do them over different parts of the day.

I made these on a boiling hot day and was obliged to refrigerate them so that the chocolate would set; if you can, avoid chilling them, however, because once you do the chocolate loses its shine. However, if needs must, a dull homemade chocolate teacake is probably going to be better than no teacake at all.

The recipe is below the jump, as ever.

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week eight (biscuit week) of series three: six chocolate teacakes.

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Baking challenge: jam doughnuts

Jam doughnuts

When I was a child, summer holidays were spent catching up with family in Belgium. Some of my most relished moments were the evenings spent at a local kermis (funfair), where I’d ride on shiny plastic horses on the carousel, or we might have a go on the bumper cars as a family. I liked being paired with my dad because he properly embraced the spirit of terrorising fellow drivers on the electric floor, driving very fast and crashing into friends and hapless strangers very hard. Between rides we’d eat the usual fairground food: a box of fries doused in mayonnaise, and for afters, a puntzak (paper cone) of smoutebollen, simple doughnuts made of a plain, deep-fried batter, coated in a powdery layer of icing sugar so thick you could see teeth-marks in it. Smout means ‘lard’ in Dutch, referring to the fat the batter was traditionally fried in; in the Netherlands, similar doughnuts are called oliebollen. I’ve never heard them called that in Belgium, though.

Sugared doughnut

Aside from these seasonal treats, I don’t remember doughnuts being a fixture of my childhood. That’s probably all for the best, in the long run.

Jammy doughnut filling

If I picture a doughnut, what comes to mind is one of those glazed American-style ring ‘donuts’, glossy with a chocolate-flavoured or pink icing and scattered with sprinkles. I didn’t know that traditional British doughnuts were round, sugar-dusted, and filled with jam until I was in my late teens. The doughnuts made for this recipe are this old-fashioned kind, sticky with jam and the caster sugar which coats them – and your lips – with sparkling shards. They are delicious – at their absolute best fresh, but they keep well for a few days. It turned out, too, that they resonated deeply with my British friends, who commented with delight on my obligatory Facebook photo. I hadn’t known people loved doughnuts so much. They are truly the original way to make friends and influence people.

Doughnuts in frying basket

Final observations: I used a deep-fat fryer for these because I was much too anxious to risk frying in a pot of oil on my gas stove. Please be careful making these, whatever method you choose. Also, deep-frying in summer is hot and difficult. Make these for people you really love who will be truly grateful.

Recipe below the jump, as ever.

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week seven (sweet dough week) of series three: ten jam doughnuts.

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Baking challenge: honey-walnut rolls

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week seven (sweet dough week) of series three: 24 yeasted buns.

honey walnut breakfast bun

As the aim of this challenge was to bake twenty-four sweet rolls or buns – a not insubstantial number – I wanted to make something as suitable for breakfast as for an afternoon snack, which, in my book, means relatively light on refined sugar. My breakfasts are usually yoghurt, homemade granola and fruit, or homemade wholegrain sourdough, or very occasionally a spinach smoothie. Cornflakes just leave me hyperactive, then hungry. For this reason, I turned for inspiration to Joanne Chang’s ‘Baking with Less Sugar’. It’s an interesting book; Chang is not driven by worthiness, but instead adopts a scientific approach to low-sugar baking. This means appreciating the scientific and chemical qualities of sugar and what taking it out does to cakes, cookies and breads. In addition to the obvious addition of sweetness, sugar’s hygroscopic quality mean it keeps baked goods moist. I knew about this, but what I didn’t realise was that sugar also has gluten-inhibiting properties, contributing to the tenderness of the final product.

To make these buns, I adapted Chang’s recipe for Honey cashew morning buns. It might seem obvious to say that buns made from a cookbook called ‘Baking with Less Sugar’ are not very sweet, but here we go: they’re not very sweet, and the dough, based on oil rather than butter, is not very rich. The muted sweetness and richness of these means that they really, truly, are at their absolute best on the first day, warm and sticky from the oven. They stale more rapidly than extremely sugary buns and become quite dense. If you are eating them over a few days, a blast in the oven or microwave (and perhaps a sprinkle of water beforehand) will revive them.

Honey walnut buns

This is a good recipe to showcase a bold, flavourful honey; I used a piney, resinous Spanish honey. I replaced Chang’s cashews with toasted walnuts because I like their bitter notes, which complemented the smokiness of the honey. If you want a more buttery, naturally sweeter flavour, pecans would work well. I swapped out some of the cinnamon Chang calls for with cardamom and adapted the honey ‘goo’ (as she calls it) that the buns are soaked in, as the original recipe is extremely thin and boils over in the pan too much. Bake these buns in your largest roasting tin: I had to stack them almost upright, making for an interesting (but not Bake-Off-worthy) pull-apart effect, but having them as flat as possible for proving and baking would be best.

Recipe below the jump, as ever.

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Baking challenge: dethroning the Queen of Puddings

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week six (pudding week) of series three: a Queen of Puddings.

Queen of puddings

I like British food. I always feel bad that it has such a poor reputation globally, since the decline of British cooking really comes from the hardship of rationing during – and after, of course – the Second World War, when British cooks had learned to rely on powdered egg, corned beef and old heels of leaden bread to keep themselves and their families fed. Before that, British food was creative, adventurous, and even sustained a good reputation in Europe – it wasn’t all the boiled vegetables of popular imagination. I’ve leafed through plenty of original magazines from the 1910s in the British Library and some of the recipes are surprisingly fresh and modern sounding. Contemporary British cooking, of course, draws on influences from around the world as well as relying on local, seasonal and traditional flavours and techniques.

Mary Berry's Queen of puddings

But for all that I believe British food is irrationally maligned, I don’t like, or even understand, Queen of Puddings (and this ain’t my first time at the Queen of Puddings rodeo). Like many recipes with a long history, it is breadcrumb-based, consisting in this case of a lemony breadcrumb-thickened custard, topped with a river of red jam, topped with a crown of lightly toasted meringue. The end result is gloppy, sticky, and very sweet, and it doesn’t keep well, either, as the meringue starts to droop and weep into the other components if it sits out for a bit. For me, this is no queen, but a mere pretender to the throne – the Perkin Warbeck of British desserts, if you will. On account of its acute sweetness, however, I can imagine children liking this. And if you do like Queen of Puddings, Mary Berry’s recipe (below) is certainly a good and reliable one, producing pretty picture-perfect results.

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Baking challenge: little marmalade and sticky toffee fig steamed puddings

This post is part of my challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week six (pudding week) of series three: two different sponge puddings, each served with a different sauce, six of each.

Mini marmalade steamed puddings
Mini marmalade steamed pudding

Running through almost every Belgian I’ve ever known, like a seam of quartz through rock, is an inexplicable Anglophilia – inexplicable because it seems to pulse through Belgians who’ve never visited Britain and have no immediate familial or cultural links to the country. Is it because of Britain’s eventual support for our little country following the 1830 Belgian revolution, when a sentimental song at the opera spurred patriotic (anti-Dutch) riots? Because Britain housed 250,000 Belgian refugees fleeing the German invasion during the First World War? Because Belgians really, really enjoy EastEnders?

Whatever the cause, Belgian Anglophilia is matched by no little bemusement towards British habits. After all, Brits eat stew with mash, rather than the proper accompaniment of frites; they drink pint after pint of weak beer, rather than a modest glass of 8% ABV; and when they do eat chips, they fry them to a crisp toasty brown and sprinkle them with malt vinegar to add insult to injury. But most bemusing of all is…the pudding.

“In Britain,” my grandmother declared one day, “They call everything PUDDING.” As I digested this statement, she leaned forward and added, “Here, the only thing WE call pudding is…PUDDING.”

Figgy sticky toffee pudding
Figgy sticky toffee pudding

You see, like in North America, ‘pudding’ in Dutch (same word, though it sounds slightly different) typically refers to custard (or sometimes jelly)-based soft desserts (like Angel Delight or those Alpro Soya long-life custards), whereas in Britain, of course ‘pudding’ usually means simply a dessert course. This terminology is, for some reason, endlessly amusing. (Notwithstanding this general bemusement, one of the most masterly books on the market about British puddings was in fact written by a Belgian).

For my twelve steamed puddings, I chose to make a marmalade pudding – mostly, admittedly, for the very smug-sounding reason of having an excess of homemade marmalade on my shelves after preserving fever hit me. I adapted a recipe from Justin Gellatly for this, adding orange zest for additional freshness and zip, and baking them as mini puddings rather than one large one. It’s served with an alcohol-spiked custard for absolute indulgence. The other recipe is Gizzi Erskine’s, and is a deliciously fig-laden version of classic sticky toffee pudding, accompanied by a lusciously sticky sauce. (Yes, both are pretty wintery, but although it’s high summer for now, British summer evenings can still get pretty cold, you know…).

Recipes are below the jump, as always.

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Baking challenge: crème caramel

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the technical challenge for week four (dessert week) of series three: crème caramel.

Mary Berry's creme caramel

Crème caramel is an old-fashioned dessert, isn’t it, belonging almost to the realms of the (sadly, now) imaginary bistros of Hemingway’s A Moveable Feast, with those heavy leather-lined seats where you are comfortably ignored once delivered of your food (and, of course, alcohol). In a more modern context I can imagine buying a small plastic tub of it from the supermarket, the caramel staining the bottom of the container deep brown, and inverting it at home. But these are acts of the imagination alone: I don’t know if I’ve eaten creme caramel before making it for this baking challenge. It does feel like the kind of gentle, nurturing nursery-type food I should have eaten as a child, however.

Crème caramel is a sister to crème brûlée: both are softly-set, only very lightly sweetened custards, composed of wholesome and nurturing ingredients: whole milk, eggs. But what a difference the outside makes: the crème brûlée is the flirty, dangerous show-off in the family, with her tempting crackled-burnt sugar crust, which has required the application of the naked (ooh la la) flame of the blowtorch (if you’re a cowboy cook who’s not using the grill, anyway) and dares you to crack into it. No one would mistake this dessert for an inhabitant of the nursery. The crème caramel is a bit more homely and dutiful compared to her glamorous sibling.

Creme caramel

You start off by making a caramel, which coats the buttered ramekins, and then a custard which bakes gently in the oven. The cups of custard must then chill completely, to be turned out a la minute. The chilled custard is silky-quivering in its delicacy, lightly drenched in a cloak of caramel syrup which adds some much-needed sweetness and intense depth to this dessert, which would otherwise be simply milky and jiggly and bland. (This contrast is especially, deliciously pronounced if you are brave enough to cook your caramel properly dark). Custard always walks a fine line between homely, nursery food and sensual indulgence. This definitely leans towards the latter – although easy to eat, it’s a dessert that celebrates rich, soft smoothness and contrast of innocently sweet custard and earthy caramel.

Don’t make the mistake I did and forget to immerse your custard-filled ramekins in their hot-water bath. I had to make these twice because I missed this vital instruction first time round. I must have skipped over the line completely because, as I transferred my first batch to the oven, I did think to myself that I would have expected a water bath to coddle the custards. In the absence of the water bath the custard took much longer to cook, surprisingly, but also set quite rubbery and hard, and had large air bubbles running through, which ruined the silky texture. A few were edible but most were relatively grim eating and were given to the worms via our compost box. This mishap aside, it was fairly easy to pull together and the desserts were exceptionally satisfying to turn out – they came out easily after a bit of coaking with a palette knife (just be careful not to angle the knife in such a way that you cut into the set custard).

Recipe below the break as always.

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Baking challenge: strawberry almond cake cream torte

This post is part of my personal challenge to bake my way through all the challenges of the Great British Bake Off. The challenge below is the signature challenge for week four (dessert week) of series three: a three-layer torte cake.

Strawberry mousse cream cake

Cream-based desserts always have my heart – notwithstanding the danger all this dairy fat doubtless poses to said heart. A trickle of liquid cream or dollop of the airily whipped variety – or even, dare I say, a pump of aerosol-whipped foam from a ‘squirty cream’ can – rarely fails to perfect a baked good or even a simple piece of baked or poached fruit.

Anecdote: I once bought a can of squirty cream for a Wimbledon Finals viewing party (yes, very bourgeois) from Tesco (actually, from the Tesco in Wimbledon itself!) and the woman at the cashier rang through my summer-standard purchases – Pimms, strawberries, napkins – without comment. When she came to the can of cream, she picked it up, waggled her eyebrows, and rasped out (Marsha-from-Spaced-style) “Are you going to be having play-time when you get back?” followed by a hearty chuckle. Even if I actually preferred the sugary, airy taste of the canned stuff to the voluptuous purity of hand-whipped double cream, the memory of this moment would be enough to put me off any purchases of aerosol cream for fear of another such encounter.

Strawberry mousse almond cream cake

There is nothing fake or sugary about this cream torte. The almond cake which forms the foundation is somewhat austere on its own: dense but not particularly sweet, and quite dry. The orange liqueur-spiked syrup it’s brushed with adds some flavour and moisture, but the purpose of the cake is to provide a contrast to the extremely creamy strawberry and orange liqueur mousse which fills the middle. With 500ml – half a litre – of double cream providing body to the mousse, the cake needs structure and a little dryness to hold it together and provide a textural contrast to all that soft, voluptuous sweetness.

There are a number of steps, and skills, associated with making this cake (you can see why it was a suitable challenge on Bake Off). There’s the baking of the sponge and the making and setting of the filling, which involves gelatine. (Most of the gelatine you can buy off the shelf in the UK is beef rather than pork gelatine, so bear that in mind if you want to serve this cake – or even just the mousse – to someone with medical or cultural dietary restrictions. I have not tested this with vegetarian gelatine and would suggest following the packet instructions if you want to try this as it works slightly differently). Fortunately both can be done ahead of time. The assembled cake and mousse structure then has to chill for a good amount of time in the fridge – if not, you will have sponges floating on a strawberry-cream slop. Not very appetising, and I can imagine it must have been a struggle for the Bake Off contestants to set a gelatine-based mousse in time. (Incidentally, this cake is a good test of faith, inasmuch as you have to believe that you will pass through the ‘cakes-on-slop’ phase to get to the ‘elegant Mitteleuropa cream torte’ stage when shoving it in the fridge to set).

Almond torte with strawberry mousse

If it really all does seem like too much work for a summer’s day – and with so little of summer left I won’t blame you – do try making just the mousse, which is pure and delicate and delicious – it melts delicately on the tongue and tastes like a child’s memory of strawberries and cream. As a bonus, you won’t need to turn the oven on.

The almond cake I made is an amalgam and extensive adaptation of several recipes I found online; the syrup and mousse are based on a recipe for Erdbeeroberstorte from Rick Rodgers’ magnificent book Kaffeehaus, which is well worth a look at if you love cream-based desserts, which are also so beloved in Central Europe. The instructions given to the bakers was to make a three-layer cake, but this did not require three layers of sponge, simply that the entire piece be composed of three layers – in this case two of sponge and one of mousse; the tortes themselves should not contain any flour. Strictly speaking, also, the instructions in the challenge did suggest that the bakers should not using leavening agents in their cakes – with all the rise coming from well-whipped egg yolks and whites – but as all their torte recipes on the BBC website include baking powder, I took the same liberty of sidestepping this instruction.

Full recipe below the break, as always.

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